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Ian Adie Copeland (April 25, 1949 – May 23, 2006) was an American music promoter and booking agent who helped launch the new wave movement in the United States.

Early life[edit]

Copeland was born in Rif Dimashq near Damascus, Syria, the second of four children born to CIA officer Miles Copeland, Jr. and his wife Lorraine Copeland (née Adie), an archaeologist. His older brother Miles Copeland III founded I.R.S. Records his and younger brother Stewart Copeland was the drummer in The Police. His younger sister Lorraine (nicknamed 'Lennie') is a writer and producer.

After a wayward youth growing up in the Middle East, where he was part of a gang involved in petty crime,^[1] Copeland enlisted in the U.S. Army in 1967 at the height of the Vietnam War. He was assigned to the 1st Infantry Division and was promoted to the rank of sergeant at age 19. He served with distinction and was awarded the Bronze Star Medal amongst other decorations.^[2] It was during his tour of duty in Vietnam that he earned the nickname 'Leroy Coolbreeze'. Although Copeland later had misgivings about the Vietnam War, he was proud to have fought for his country.^[3]

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Music industry[edit]

Copeland began his career in the music industry with the help of his brother Miles, first as a tour manager for Wishbone Ash, and then as a booking agent in London at John Sherry Enterprises, where he discovered the Average White Band and other artists. In 1977, he moved to Macon, Georgia to work for the Paragon Agency booking tours for rock groups.^[4] Ian and Miles developed a strategy of using small venues and clubs to break the British band Squeeze in the North American market, a formula they would repeat with other bands. Around this time he also helped his brother Stewart write the lyrics of the song 'Nothing Achieving', which became the B-side of The Police's first single 'Fall Out'. Although officially uncredited, Copeland also contributed lyrics to Stewart Copeland's single 'Too Kool to Kalypso' and The Police's 'Dead End Job'.^[5]

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In 1979, Copeland founded Frontier Booking International (FBI) in New York, a talent agency that represented many of the premier new wave acts of the 1980s, including the B-52's, The Cure, The Police, Simple Minds, The English Beat, and The Go-Go's.^[6] The agency grew to include hundreds of diverse musical performers on its roster (including the Buzzcocks, Nine Inch Nails, Concrete Blonde, The Mission (UK), Iggy Pop, General Public, Charlie Peacock, Let's Active, R.E.M., Sting, and Morrissey), as well as representing actors. The music division of FBI was merged into InterTalent Agency in 1992, and Copeland moved to Los Angeles soon thereafter.^[7]

Personal life[edit]

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Parallels desktop free key. Copeland married Constance 'Connie' Walden of Macon, and they had two daughters (Chandra and Barbara) before divorcing.

Copeland's other romantic partners included FBI client Marianne Faithfull and his former FBI receptionist and step-cousin Courteney Cox, with whom he had a three-year relationship in the 1980s after his divorce from Connie.^[6]

Along with his brothers, Stewart and Miles, Ian was honoree and recipient of the Humanitarian Award from the AMC Cancer Research Center in 1985. The awards program noted:

Seventeen years ago, the first AMC Humanitarian Award went to Judy Holliday, a brilliant musical star and actress. Tonight, we are proud to continue the tradition and honor Miles, Ian, and Stewart Copeland and their famous, and oftentimes infamous, contributions to the music and entertainment industry. Early in each of their individual careers, the Copeland Brothers were considered mavericks – the new frontiersman. Miles, attending to music management; Ian, involved as a music agent; and, Stewart, a talented composer, engaged as a drummer in The Police – all were iconoclasts. While they were bucking the established institution, practices and attitudes of the music industry, they were on the cutting edge of pioneering 'new music' into the United States. Their methods, once scorned, are now imitated. It is fitting that we pay tribute to the Copeland Brothers and their pioneering spirit.^[8]

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Copeland published an autobiography, Wild Thing in 1995.^[9] In 1997 he opened the Backstage Cafe bar and restaurant in Beverly Hills which he owned and operated until his death from melanoma at age 57.^[10][11] The funeral was held at House of Blues on Sunset Blvd in Los Angeles.

References[edit]

1. ^Nelson, Valerie J. (May 25, 2006). 'Ian Copeland, 57; Booking Agent for New Wave, Punk Bands, Including the Police'. Los Angeles Times.
2. ^[1]Archived October 12, 2011, at the Wayback Machine
3. ^'Ian Copeland'. The Daily Telegraph. London. June 3, 2006.
4. ^'Ian Copeland, 57, Music Agent'. The New York Times. May 26, 2006.
5. ^Sutcliffe, Phil & Fielder, Hugh (1981). L'Historia Bandido. London and New York: Proteus Books. ISBN0-906071-66-6. page 41.
6. ^ ^abSweeting, Adam (May 31, 2006). 'Obituary: Ian Copeland'. The Guardian. London.
7. ^Eller, Claudia (October 5, 1992), 'Copeland's FBI, ITA parting ways', Daily Variety, retrieved December 31, 2010
8. ^Billboard – Google Books. November 9, 1985. Retrieved October 15, 2012.
9. ^'Metroactive Books | Wild Thing'. Metroactive.com. November 22, 1995. Retrieved October 15, 2012.
10. ^'Ian Copeland : Biography'. IMDb.com. Retrieved June 30, 2014.
11. ^'Ian Copeland, at 57; promoter helped bring 'New Wave' music to US'. The Boston Globe.

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Bibliography[edit]

• Ian Copeland, Wild Thing: The Backstage, On the Road, In the Studio, Off the Charts Memoirs of Ian Copeland, Simon & Schuster, 1995.

External links[edit]